A grand old theatre graced the corner of Windsor Terrace in Southampton, opposite the Civic Centre for more than 115 years. This was the Grand, a vibrant hub of entertainment that welcomed everyone from thespian royalty to the stars of burlesque, and played host to a diverse array of performances that mirrored the changing tastes of the 20th century.

Large crowds often gathered outside, the anticipation building as the gaslights flickered, promising an evening of escapism and delight.

Sharing its spot alongside the old Hants and Dorset bus station, the Grand Theatre became a cornerstone of Southampton's cultural scene. 

It was a place where both amateur dramatic societies and the biggest names in show business graced the stage. 

From the timeless works of Shakespeare to the dazzling spectacle of striptease artists, from the hilarious antics of comedians to the nail-biting suspense of murder mysteries, the Grand offered a constantly evolving programme that catered to every taste. 

Melodramas tugged at the heartstrings, variety shows dazzled with their eclectic mix of talent, repertory players honed their craft, and amateur productions offered local talent a chance to shine. 

The Grand truly lived up to its name, a majestic haven of live performance.

The theatre's boards had the honour of supporting some of the nation's most celebrated actors and actresses. 

The legendary Sarah Bernhardt, the comedic genius of Robertson Hare, the dignified presence of George Arliss, the captivating Dame Sybil Thorndike, and the cheeky humour of Frankie Howerd – all these luminaries graced the stage of the Grand. 

For a period of around nine months, even the legendary Peter Cushing graced its stage, captivating audiences with his performances. 

But arguably the most celebrated name to ever appear at the Grand was the one and only Harry Houdini. In his time, Houdini wasn't just a magician, he was a global phenomenon, a household name synonymous with breathtaking escapes and unparalleled showmanship. His presence at the Grand undoubtedly marked a highlight in the theatre's history.

And let's not forget the theatre's resident feline, a black and white cat who often stole the show with impromptu appearances, much to the amusement (and occasional consternation) of the performers.

Opened in October 1898, the Grand Theatre quickly established itself as the heart of Southampton's entertainment scene. 

The management at the time proudly proclaimed it "a most beautiful and commodious building," emphasising its intimate and friendly atmosphere, a quality that endeared it to both performers and patrons. 

An advertisement in the 1904 Southampton Annual described the theatre's "cosiness," highlighting how "the auditorium is everywhere in desirable proximity to the stage. Seeing and hearing are both agreeably possible." 

The advert went on to declare the Grand "an ornament to the town, and its situation is central enough to be convenient to all classes in every part."

However, the Grand's story wasn't without its share of drama. 

Throughout its existence, the theatre seemed to be perpetually embroiled in a struggle for survival, its future as uncertain as the plot of any play it staged. 

Despite this, the early years, particularly the turn of the century and the decades that followed, were a golden age for the Grand. Packed houses eagerly awaited the arrival of various touring companies, eager to be transported to another world.

The late 1920s brought challenges, with the rise of cinema posing a significant threat to live theatre. Yet, the Denville Players Repertory Company, a local favourite, managed to maintain a strong following and enjoyed considerable success, keeping the spirit of the Grand alive. But their departure marked a difficult period. 

The theatre closed its doors for two years before reopening in 1934, only to face closure again in 1937.

In a twist of fate, on Saturday, March 25, 1939, the Hippodrome in Ogle Road closed its doors for the last time. 

The following Monday, the Grand triumphantly reopened under the new name of the New Hippodrome. 

Tickets were affordably priced, ranging from 1s 6d (7½p) to 2s 6d (12½p) for the stalls and dress circle, while the pit could be enjoyed for a mere 1s (5p) and the gallery for a tiny 3d (2p).

Tragically, this revival was short-lived. 

Within 18 months, the shadow of the Second World War loomed large, forcing the theatre to close once more with a notice that read: “Owing to the present international situation, this theatre will be closed until further notice.”

The Grand bravely reopened yet again on December 27, 1950, reverting to its original name and launching with the festive pantomime "Goldilocks and the Three Bears." 

But alas, its final curtain call was less than a decade away. 

In 1959, the Grand's last performance, the comedy "Seagulls Over Sorrento," marked the end of an era. 

By April of the following year, the demolition crews moved in, and the Grand Theatre, a place that had witnessed countless pantomimes, melodramas, and "murders most foul," was gone forever, leaving behind a rich legacy of entertainment and memories in the hearts of Southampton's residents - some of which may still be alive today.