Interview By Brian Donaldson

IS there anything Phill Jupitus hasn’t done? A DJ on BBC 6 Music, team captain on Never Mind The Buzzcocks, poet who supported Billy Bragg in the 1980s, TV and film actor, improv player, and musical star of Hairspray and Chitty Chitty Bang Bang.

He's now on a new stand-up tour - that visits Nuffield Southampton Theatres tomorrow (Sunday,) in which he gets to be two people.

“I have a lot of material to choose from for this tour,” says Phill about his pun-loving stand-up, poetry and music show, Juplicity. “The thing that really works for me is that I support myself as Porky The Poet, so he goes out and does 40 minutes to start the evening. Because of Buzzcocks and other jobs I was given, I let Porky and the poetry slide but after about a decade I came back to it and wrote new poems, often just chucking stuff out on Facebook for mates to read. Combined with the old poems, and factoring in chit-chat between them, I had about an hour of material.”

With Porky’s poetry supporting the straight stand-up, he’s also got a proven track record of live music behind him from his time with the all-star Idiot Bastard Band. “The songs for this tour are now solid; all that comes from the time I was in the band with Neil Innes and Ade Edmondson. Because I’ve spent time away from touring stand-up, you get better at doing it by building the source material. For the autumn tour I’ll do two hours a night: 40 minutes poetry, quarter of an hour of songs, and the rest is stand-up.”

In terms of the stand-up element, Juplicity will draw on his own life, one that Phill describes merrily as both ‘chaotic’ and ‘flaky’. “Sean Lock has a phrase, which was both inspiring and worrying, about comedians mining our own personalities for material and then in your head negotiating how much you keep back. Initially there was some resistance to me discussing things on stage about my family. One of my daughters, Molly, married her American girlfriend and emigrated there, so what you get is a starting point: gay marriage is a trope that’s very much in vogue at the minute and dovetails with what’s happening in the world with Trump and so on. As a comedian you are a person in a society within the world; all you have to do is look at things and shift your camera angle. All comedians can do is put a wider lens on a situation so that it resonates with people.”

Phill probably never thought he’d find himself on a stage, in lots of make-up, belting out a show tune, but that’s one paths he’s landed on, with large-scale touring productions like Chitty Chitty Bang Bang, Spamalot and Hairspray.

“My agent phoned up and said, ‘there’s a casting director in the West End who wants to talk to you about being Count Fosco in The Woman In White’. I was like, ‘what! I don’t sing!’ ‘Well, they think you do’. Turns out they’d seen me do the intros round on Buzzcocks and felt I could hold a tune. So I took some training and auditioned and they said, ‘maybe not this time, but do you want to be Wilbur in Hairspray?’ I went to see it and even though I’m watching Mel Smith as Wilbur thinking, ‘yeah I could do that’, I kept looking at Michael Ball as Edna and thinking, ‘that looks like a lot of fun’.”

As it happened, he was offered the part of Edna instead. “I was thrown into it, three months in a dress, wig and lipstick. I’d just come out of 6 Music and felt a bit adrift: ‘do I want to do stand-up again or this or that’, and then Hairspray comes along and then Spamalot comes along. As a stand-up, you don’t think, ‘this is it now’: there are always other options. That’s why there’s a little resentment about stand-ups because we’re so adaptable.”

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